The RBS saga
Fred, shredded
ARISE,
Mr Goodwin. Britain’s honours forfeiture committee has ruled that Sir
Fred, as he was once, should be stripped of his knighthood after his
tenure as chief executive of the Royal Bank of Scotland ended
ignominiously with a huge bank bail-out. Mr Goodwin joins a list of
ex-Sirs whose members include Anthony Blunt, a Soviet spy, and Robert
Mugabe, the president of Zimbabwe.
If
you think that is over the top, you’d be right. Galling as it is to
imagine Mr Goodwin insisting on being called Sir Fred at his local
corner shop, or offering his hand to be kissed at the bus stop, no power
flowed from his title. Shame is an important sanction when very
well-paid people screw up, but Mr Goodwin’s reputation was already in
the gutter, following the bank’s failure and a nasty, public row over
his pension entitlement. Knighthood or not, he was not about to walk
back into public life.
True,
Mr Goodwin had an abrasive management style that made him the dominant
figure at RBS when it decided to lead a consortium bidding to acquire
ABN AMRO, a Dutch bank. But if he was really that out of control then
why not go the whole hog and strip Sir Tom McKillop, the RBS chairman
and Mr Goodwin’s boss at the time, of his knighthood, too? More
pertinently, poor decision-making was hardly confined to RBS. The battle
for ABN began when Barclays announced it would merge with the lender:
if ABN had not sunk one British bank, it would have torpedoed another.
News
of the forfeiture committee’s verdict comes days after a row involving
Mr Goodwin’s successor at RBS, Stephen Hester, who this weekend waived
his entitlement to a controversial share award. The differences between
the two men are obvious: one deeply culpable for RBS’s fall, the other
trying to mastermind its revival. But both stories have lazily focused
important debates about the governance of banks, and the compensation of
bankers, on to specific individuals. Mr Goodwin was not uniquely
reckless; Mr Hester is not exceptionally well-paid compared with his
peers. Turning the likes of Sir Fred into pantomime villains lets the
industry off the hook.
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