The Eurovision Song Contest
by G.E. | TBILISI
ENGELBERT HUMPERDINCK, the 75-year old chosen by the BBC to represent Britain at the Eurovision song contest, is more famous for such hits as “After the Lovin’” than for political campaigning. But some activists hope that when he showcases his crooning in Baku in Azerbaijan on May 26th, the event will be made memorable for another reason. With some 120m people expected to tune in, they want to highlight the country’s deteriorating human-rights record.
Azerbaijan's
government is spending a great deal of money tarting up its capital for
the contest. The contest will take place in the new Baku Crystal Hall, a
gleaming 23,000-seat arena. But a new report
from Human Rights Watch highlights the abuses that were committed along
the way. Local authorities expropriated houses and evicted residents
with scant regard for due process or the rights of homeowners.
One
family woke up in the middle of the night to the sound of bulldozers.
They made it out of the building in one piece, but lost many of their
belongings. Police broke down a door to arrest another family; by the
time of their release five hours later, little remained of their home.
President
Ilham Aliev hopes the event will serve as a celebration of Azerbaijan
as it celebrates 21 years of independence. His government has spent
millions of dollars on a public-relations campaign to boost the
country’s standing. It is streamlining its unwieldy visa regime to
encourage international visitors.
Indeed,
Azerbaijan has come a long way since the dark days of the early 1990s,
when the country fought a bitter war with Armenia over the
Nagorno-Karabakh region. True, 13-16% of the country's territory
(depending on how you count) remains in Armenian control, the conflict
remains frozen, and Azerbaijan hosts roughly 600,000 people displaced
from their homes.
But huge oil revenues have led
to a flurry of infrastructure and reconstruction projects.
Social-welfare payments trebled between 2006 and 2010, and living
standards have been boosted considerably as a result, according to the
World Bank. Another new report,
from the International Crisis Group, describes how this wealth has
benefited some of the displaced—even though many more need help.
Yet all that has come at the expense of political freedom, as Amnesty International underlined
two weeks ago. Mr Aliev, the group says, runs an authoritarian regime
where opposition is not tolerated. Journalists routinely censor
themselves; those who do not face violent retribution.
NGOs
are subject to harassment; the judiciary does the executive’s bidding.
Police truncheons disbursed peaceful anti-government demonstrations in
March and April last year. Azerbaijan’s winning Eurovision song last
year was, aptly, called “Running Scared”.
Eurovision organisers say they hope the event will help improve the situation. A group of local journalists have set up a website to cover the contest, with what they say will be an independent eye.
But
as the government advertises its modernising credentials, spare a
thought for 16 “prisoners of conscience” that Amnesty International says
remain in prison following last year’s demonstrations. Last week, the
EU called on Azerbaijan to invite the Special Rapporteur of the
Parliamentary Assembly of the Council of Europe for political prisoners,
who has not been able to visit the country since 2009.
As Mr Humperdinck prepares to announce his entry for this year's contest, he could consider reprising his 1967 classic “Release Me”.
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